November 11, 1988. Tom Clancy with brothers Bobby and Paddy and nephew Robbie O'Connell as part of a concert special for PBS.
and come tell me Sean O'Farrell where the gathering is to be at the old spot by the river quite well known to you and me one more word for signal token whistle out the marching tune with your pike upon your shoulder by the rising of the moon
2009 Newport Folk Festival Newport Beach, Rhode Island
rows and flows of angel hair and ice cream castles in the air and feather canyons everywhere i've looked at clouds that way but now they only block the sun they rain and snow on everyone so many things i would have done but clouds got in my way i've looked at clouds from both sides now from up and down and still somehow it's cloud illusions i recall i really don't know clouds at all
moons and Junes and Ferris wheels the dizzy dancing way you feel as every fairy tale comes real i've looked at love that way but now it's just another show you leave 'em laughing when you go and if you care don't let them know don't give yourself away i've looked at love from both sides now from give and take and still somehow it's love's illusions i recall i really don't know love at all
tears and fears and feeling proud to say "i love you" right out loud dreams and schemes and circus crowds i've looked at life that way but now old friends are acting strange they shake their heads they say i've changed well something's lost but something's gained in living every day i've looked at life from both sides now from win and lose and still somehow it's life's illusions i recall i really don't know life at all
my wild love went riding she rode all the day she wrote to the devil and asked him to pay the devil was wiser it's time to repent he asked her to give back the money she spent
my wild love went riding she rode to the sea she gathered together some shells for her hair she rode and she rode on she rode for a while then stopped for an evening and lay her head down
she rode on to Christmas she rode to the farm she rode to Japan and we entered a town by this time the weather had changed one degree she asked for the people to let her go free
my wild love is crazy she screams like a bird she moans like a cat when she wants to be heard my wild love went riding she rode for an hour she rode and she rested and then she rode on
well you really got me this time and the hardest part is knowing i'll survive i have come to listen for the sound of the trucks as they roll down out on ninety five and pretend that it's the ocean coming down to wash me clean to wash me clean baby do you know what i mean i would rock my soul in the bosom of Abraham i would hold my life in his saving grace i would walk all the way from Boulder to Birmingham if i thought i could see, i could see your face
here comes the morning cruel and clear there is no reasonable chance that it might disappear and here comes the evening it's still the same we are just passengers upon this godless, ghostly train but she loves me when i try she thinks about me when i'm gone oh she helps me when i can't hold on --dougie maclean (from "she loves me ")
Bruce Springsteen and the E Street Band New York City, New York 2001
we said we'd walk together baby come what may that come the twilight should we lose our way if as we're walking a hand should slip free i'll wait for you and should i fall behind wait for me
Grace has gone on ahead. Light a candle to help her find the way.
Not the least hard thing to bear when they go from us, these quiet friends, is that they carry away with them so many years of our lives. Yet, if they find warmth therein, who would begrudge them those years that they have so guarded? And whatever they take, be sure they have deserved. --John Galsworthy
outside another yellow moon has punched a hole in the nighttime yes i climb through the window and down to the street i'm shining like a new dime the downtown trains are full with all of those Brooklyn girls they try so hard to break out of their little worlds well you wave your hand and they scatter like crows they have nothing that will ever capture your heart they're just thorns without the rose be careful of them in the dark --tom waits
i've been waiting for something to happen for a week or a month or a year with the blood in the ink of the headlines and the sound of the crowd in my ear you might ask what it takes to remember when you know that youve seen it before where a government lies to a people and a country is drifting to war there's a shadow on the faces of the men who send the guns to the wars that are fought in places where their business interest runs
on the radio talk shows and the t.v. you hear one thing again and again how the U.S.A. stands for freedom and we come to the aid of a friend but who are the ones that we call our friends these governments killing their own or the people who finally can't take any more so they pick up a gun or a brick or a stone there are lives in the balance there are people under fire there are children at the cannons and there is blood on the wire
theres a shadow on the faces of the men who fan the flames of the wars that are fought in places where we cant even say the names they sell us the president the same way they sell us our clothes and our cars they sell us everything from youth to religion the same time they sell us our wars i want to know who the men in the shadows are i want to hear somebody asking them why they can be counted on to tell us who our enemies are but they're never the ones to fight or to die and there are lives in the balance there are people under fire there are children at the cannons and there is blood on the wire
This segment from a documentary entitled "This Beggar's Description" was directed by Pierre Tétrault and chronicles the ups and downs in the life of his brother Philip. In this clip, Leonard Cohen sits with his neighborhood buddy Philip Tétrault and talk about old times, poetry and other stuff at what has come to be known as "Leonard's Park" in Montreal.
You are playing to people who have experienced a catastrophe. This should make you very quiet. Speak the words, convey the data, step aside. Everyone knows you are in pain. You cannot tell the audience everything you know about love in every line of love you speak. Step aside and they will know what you know because they know it already. You have nothing to teach them. --Leonard Cohen (from "Death of a Lady's Man") How To Speak Poetry
'tis far away i am today from scenes i roamed a boy and long ago the hour i know i first saw Illinois but time nor tide nor waters wide could wean my heart away forever true it flies to you, my dear old Galway Bay
o grey and bleak by shore and creek the rugged rocks abound but sweet and green the grass between as grows on Irish ground so friendship fond all wealth abound and love that lives always bless each poor home beside your foam, my dear old Galway Bay
had i youth's blood and hopeful mood and heart of fire once more for all the gold the world might hold i'd never quit your shore i'd live content whate'er God sent with neighbors old and gray to lay my bones 'neath churchyard stones, beside you, Galway Bay
the blessing of a poor old man be with you night and day the blessing of a loving man whose heart will soon be clay 'tis all of Heaven i'll ask of God upon my dying day my soul to soar forever more above you, Galway Bay
when its summer in Siam and the moon is full of rainbows when its summer in Siam and we go through many changes when its summer in Siam then all i really know is that i truly am in the summer in Siam
Rick Branch and Don Miller Kenosha, Wisconsin 1/16/08
we were born before the wind also younger than the sun ere the bonnie boat was won as we sailed into the mystic hark, now hear the sailors cry smell the sea and feel the sky let your soul and spirit fly into the mystic --van morrison
and there's so much time to make up everywhere you turn time we have wasted on the way so much water moving underneath the bridge let the water come and carry us away
well, i went to the doctor i said, "i'm feeling kind of rough" he said, "let me break it to you, son, your shit's fucked up" i said, "my shit's fucked up?" i just don't see how" he said, "the shit that used to work it won't work now"
Fear no more the heat of the sun Nor the furious winter's rages. Thou thy worldly task hast done, Home art gone, and taken thy wages. Golden lads and girls all must, As chimney-sweepers, come to dust. --William Shakespeare (from "Cymbeline ")
what Fassbinder film is it? the one-armed man comes into a flower shop and says: what flower expresses days go by and they just keep going by endlessly pulling you into the future days go by endlessly endlessly pulling you into the future? and the florist says: white lily
i've been walking in my sleep counting troubles instead of counting sheep where the years went i can't say i just turned around and they've gone away i've been sifting through the layers of dusty books and faded papers they tell a story i used to know it was one that happened so long ago it's gone away in yesterday now i find myself on the mountainside where the rivers change direction across the Great Divide
well i heard the owl a-calling softly as the night was falling with a question and i replied but he's gone across the borderline it's gone away in yesterday now i find myself on the mountainside where the rivers change direction across the Great Divide
the finest hour that i have seen is the one that comes between the edge of night and the break of day it's when the darkness rolls away it's gone away in yesterday now i find myself on the mountainside where the rivers change direction across the Great Divide
Giving and taking the constant recissions in an ongoing whack-a-mole contest with the censorious YouTube gremlins, this marks Folk Queue's 600th post. Thanks to any and all who have come along for the ride. More soon. --tw
there's guns across the river aiming at ya lawman on your trail, he'd like to catch ya bounty hunters, too, they'd like to get ya Billy, they don't like you to be so free
camping out all night on the veranda dealing cards 'til dawn in the hacienda up to Boot Hill they'd like to send ya Billy, don't you turn your back on me
playing around with some sweet senorita into her dark hallway she will lead ya in some lonesome shadows she will greet ya Billy, you're so far away from home
there's eyes behind the mirrors in empty places bullet holes and scars between the spaces there's always one more notch and ten more paces Billy, and you're walkin' all alone
they say that Pat Garrett's got your number so sleep with one eye open when you slumber every little sound just might be thunder thunder from the barrel of his gun
guitars will play your grand finale down in some Tularosa alley, maybe in the Rio Pecos valley Billy, you're so far away from home
there's always some new stranger sneaking glances some trigger-happy fool willing to take chances and some old whore from San Pedro to make advances advances on your spirit and your soul
the businessmen from Taos want you to go down they've hired Pat Garrett to force a showdown Billy, don't it make ya feel so low-down to be shot down by the man who was your friend
hang on to your woman if you got one remember in El Paso once you shot one she may have been a whore but she was a hot one Billy, you been running for so long
guitars will play your grand finale down in some Tularosa alley maybe in the Rio Pecos valley Billy, you're so far away from home
we may only be here one time for all anyone knows and we already share one mind what more could we ask for than sunlight born of the dawn night dreams having all flown in tune with creation
now the warriors of winter gave a cold triumphant shout all that stays is dying and all that lives is getting out see the geese in chevron flight flapping and racing on before the snow they've got the urge for going and they've got the wings to go they get the urge for going when the meadow grass is turning brown summertime is falling down and winter is closing in