if you were a bluebird you'd be a sad one i'd give you a true word but you've already had one if you were a bluebird you'd be crying you'd be flying home
if you were a raindrop you'd shine like a rainbow and if you were a train stop the conductor would sing low if you were a raindrop you'd be falling you'd be calling home
word is to the kitchen gone and word is to the hall and word is up to madam the Queen and that's the worst of all that Mary Hamilton has borne a babe to the highest Stuart of all arise, arise Mary Hamilton arise and tell to me what thou hast done with thy wee babe i saw and heard weep by thee i put him in a tiny boat and cast him out to sea that he might sink or he might swim but he'd never come back to me oh hold your tongue my sovereign liege and let your folly be for if you'd a mind to save my life you'd never have shamed me here last night there were four Marys tonight there'll be but three it was Mary Beaton and Mary Seton and Mary Carmichael and me
hello darkness, my old friend i've come to talk with you again because a vision softly creeping left its seeds while i was sleeping and the vision that was planted in my brain still remains within the sound of silence
in restless dreams i walked alone narrow streets of cobblestone beneath the halo of a street lamp i turned my collar to the cold and damp when my eyes were stabbed by the flash of a neon light that split the night and touched the sound of silence
and in the naked light i saw ten thousand people, maybe more people talking without speaking people hearing without listening people writing songs that voices never shared no one dared disturb the sound of silence
"fools", said i, "you do not know silence like a cancer grows hear my words that i might teach you take my arms that i might reach you" but my words, like silent raindrops fell and echoed in the wells of silence
and the people bowed and prayed to the neon god they made and the sign flashed out its warning in the words that it was forming and the sign said, "the words of the prophets are written on the subway walls and tenement halls and whispered in the sounds of silence"
i'm a honkytonk man and i can't seem to stop i love to give the girls a whirl to the music of an old jukebox but when my money's all gone i'm on the telephone saying "hey, hey, mama can your daddy come home?"
Sinéad Lohan--vocals and guitar Donal Lunny--bouzouki Steve Cooney--guitar
everything passes everything changes just do what you think you should do and someday maybe who knows baby i'll come and be crying to you --bob dylan (from "to ramona ")
Cam ye o'er frae France? Cam ye doon by Lunnon? Saw ye Geordie Whelps and his bonnie woman? Were ye at the place called the Kittle Hoosie? Saw ye Geordie's grace riding on a goosie?
let me reach out, love, and touch you let me hold you for awhile i've been all around the world how i long to see you smile there's a shadow on the moon and the waters here below do not shine the way they should and i love you just in case you didn't know let it go let it happen like it happened once before it's a wicked wind and it chills me to the bone and if you do not believe me come and gaze upon the shadow at your door --gordon lightfoot (from "shadows")
they said there were five and they said there were ten some said there was never more than just one man who would smile to see Mr. Lincoln dead in the name of God and Dixie in the name of God and Dixieland --Mary Chapin Carpenter (from "John Wilkes Booth ")
Afoot and light-hearted, I take to the open road, Healthy, free, the world before me, The long brown path before me, leading wherever I choose.
Henceforth I ask not good fortune-—I myself am good fortune; Henceforth I whimper no more, postpone no more, need nothing, Strong and content, I travel the open road.
The earth-—that is sufficient; I do not want the constellations any nearer; I know they are very well where they are; I know they suffice for those who belong to them.
(Still here I carry my old delicious burdens; I carry them, men and women-— I carry them with me wherever I go; I swear it is impossible for me to get rid of them; I am fill’d with them, and I will fill them in return.)
the truth of love an unsung song must tell the course of love must follow blind without a look behind Reuben walked the streets of New Orleans till dawn Cerise so lightly in his arms and her hair hung gently down
as a pilgrim i did go to a land that i did know to the shores of Trist la Cal to see if i still felt the same and the sun blazed madly insane but the seagulls they have gone the seagulls they have gone
i searched the sand for sound my eyes forced to the ground the wind laughed wild and shrill my heart it tried to spill its crazy tears there is nothing here for me now the seagulls they have gone the seagulls they have gone
i stand both young and old but the winds of time blow cold this much you must believe it pains to see you grieve i pity you but there is nothing that i can do for the seagulls they have gone the seagulls they have gone
as a pilgrim i did go to a land that i did know to the shores of Trist la Cal to see if i still felt the same and the sun blazed madly insane but the seagulls they have gone the seagulls they have gone
I ain't looking to compete with you, Beat or cheat or mistreat you, Simplify you, classify you, Deny, defy or crucify you. All I really want to do Is, baby, be friends with you.
No, and I ain't looking to fight with you, Frighten you or uptighten you, Drag you down or drain you down, Chain you down or bring you down. All I really want to do Is, baby, be friends with you.
I ain't lookin' to block you up Shock or knock or lock you up, Analyze you, categorize you, Finalize you or advertise you. All I really want to do Is, baby, be friends with you.
I don't want to straight-face you, Race or chase you, track or trace you, Or disgrace you or displace you, Or define you or confine you. All I really want to do Is, baby, be friends with you.
I don't want to meet your kin, Make you spin or do you in, Or select you or dissect you, Or inspect you or reject you. All I really want to do Is, baby, be friends with you.
I don't want to fake you out, Take or shake or forsake you out, I ain't lookin' for you to feel like me, See like me or be like me. All I really want to do Is, baby, be friends with you.
I heard it in the wind last night It sounded like applause Did you get a round resounding for you Way up here It seems like many dim years ago Since I heard that face to face Or seen you face to face Though tonight I can feel you here I get these notes On butterflies and lilac sprays From girls who just have to tell me They saw you somewhere
In some office sits a poet And he trembles as he sings And he asks some guy To circulate his soul around On your mark red ribbon runner The caressing rev of motors Finely tuned like fancy women In thirties evening gowns Up the charts Off to the airport Your name's in the news Everything's first class The lights go down And it's just you up there Getting them to feel like that
Remember the days when you used to sit And make up your tunes for love And pour your simple sorrow To the soundhole and your knee And now you're seen On giant screens And at parties for the press And for people who have slices of you From the company They toss around your latest golden egg Speculation--well, who's to know If the next one in the nest Will glitter for them so
I guess I seem ungrateful With my teeth sunk in the hand That brings me things I really can't give up just yet Now I sit up here the critic And they introduce some band But they seem so much confetti Looking at them on my TV set Oh the power and the glory Just when you're getting a taste for worship They start bringing out the hammers And the boards And the nails
I heard it in the wind last night It sounded like applause Chilly now End of summer No more shiny hot nights It was just the arbutus rustling And the bumping of the logs And the moon swept down black water Like an empty spotlight
Grass Valley, Ca. 6/19/09 Molly Tuttle--vocal, guitar Sullivan Tuttle--mandolin Michael Tuttle--guitar Jack Tuttle--vocal, bass A.J. Lee--vocal, mandolin
i lease twenty acres and one Jenny mule from the Alabama Trust half of the cotton, a third of the corn you get a handful of dust we can not have all things to please us no matter how we try until we've all gone to Jesus we can only wonder why --gillian welch
she was dressed in blue and she looked so lovely just a gentle flower of a small town girl then he took her hand and they danced to the music with a single smile she became his world they danced all night to the fiddle and the banjo their drifting tunes seemed to fill the air so long ago but they still remember when they fell in love at the Roseville Fair